List of research and publications by Deborah Cain / Deborah Ryan
2007 Semiotics of Self: Reflections on the Work of Louise Bourgeois. Doctoral thesis, University of Auckland, Auckland.
1994 Between the Lines: Reflections on the Art of Michael Shepherd. Unpublished MSocSci thesis, University of Waikato, Hamilton.
Journal Articles & Essays:
2017 ‘Sadness of the city: Reflections on Shanghai and Istanbul’. In T. Clark, E. Findlay & P. Kelly (Eds.). Worldmaking: Literature, language, culture. [FILLM 5] FILM Studies in Language and Literature 5, (pp. 133-144). Amsterdam, The Netherlands: John Benjamins Publishing Company. DOI: 10.1075/fillm.5 Retrieve from https://benjamins.com/#catalog/books/fillm.5/main
2015 Nature studied: Trees, plants, gardens. Exhibition at the Geraldton Regional Art Gallery, 4-25 September 2015. Catalogue. Geraldton: Sun City Press. Cited by Renata Buziak http://renata-buziak.com/news/105/67/Nature-studied-Trees-plants-gardens
2012 ‘Walking Backwards, Reading Lu Xun: Shanghai, 2011’, Reading Room Journal, Issue 05.12 (August). pp.134-151.
2010 ‘About Photography’, in exhibition catalogue, ‘Nowhere’ now here, eds. Trish Macky and Naomi Williams. Calder and Lawson Gallery, WEL Energy Trust Academy of Performing Arts, University of Waikato. [February-March]
2008 Review: The Text Morton Songbook, by Gordon Spittle. 12 October, http://eyecontactartforum.blogspot.com.au/2008/10/here-is-something-little-unusual-music.html
2007 ‘Extended Summer Musings on Two Art Shows in Hamilton’s Waikato Museum of Art & History Te Whare Taonga o Waikato, 2006-2008’. 5 January, Ed. John Hurrell, http://eyecontactartforum.blogspot.com/2008/01/
2007 ‘Existence Reviewed’, an exhibition review of Existence: Life According to Art at the Waikato Museum, 14 July 2007–14 January 2008, published in CS Arts. Issue 29, Feb 2008. Christchurch, www.cs.org.nz.
2007 ‘Mist/Missed/Taxi Der Mist: A Certain Darkness and a Mist of Words’, essay, in exhibition monograph, Comma Dot Dogma, ed. Aaron Kreisler. Wellington, Umbrella, 2007. [Finalist in Montana New Zealand Book Award 2008, as a publication nominated for the Illustrative category]. Cain cited at the end of Horrocks, Shirley, Dir. & Pro. (2015) Tom Who? The enigma of Tom. [Documentary/Art Film] https://www.nzonscreen.com/title/enigma-of-tom-kreisler-2015
2006 ‘Whitefella Cleaning? Topographies in Translation’, Sites, June 2006. https://sites.otago.ac.nz/Sites/article/view/38
2005 ‘On Painting: a poppy and a cotton-reel tractor’, Ramp Magazine, Issue 3 (August), hardcopy and published on line, www.rampmagazine.org, pp.31-35.
2004 ‘A Fence Too Far?: Postcolonial Guilt and the Myth of Distance in Rabbit Proof Fence’. Third Text, 69, 18.4 July, pp.297-303. http://www.thirdtext.org/issues?item_id0=674&issue_number=Volume%2018,%202004&offset=0
2003 ‘The Death of a God: Polyphony in the Work of John Pule’. ‘NGA WAKA’, ANZAAE Aotearoa New Zealand Association of Art Educators, refereed conference proceedings, Vol. One (1).
2002 ‘Criss-cross: intersections and contemplations’, exhibition catalogue up/down\up Easter Arts Festival, Canterbury Museum, Christchurch.
2001 ‘Toying with Totem (?)’ Third Text, 56, Autumn, pp.19-24. http://www.thirdtext.org/issues?item_id0=687&issue_number=Volume%2015,%202001&offset=0
2001 ‘Tom Kreisler in Hamilton – 1999 Private & Confidential’. Art New Zealand 100, August, pp.74-76, 127.
1995 ‘The Last Picture Show at the Centre for Contemporary Art’. Art New Zealand 75, pp.84-87.
1994 ‘Centre for Contemporary Art, Hamilton: 1982-1994’. Gallery brochure for Hamilton Art Centre, Hamilton.
1994 ‘Mark Cross: Landscapes’. Essay for exhibition catalogue, John Leech Gallery, Auckland.
1993 ‘The Gesture Of Her Pose’. Exhibition pamphlet for Merilyn Fairskye: Invisible Painting (touch-nothing), Artspace, The Gunnery, Woolloomooloo, Sydney. Deborah Ryan, cited http://www.fairskye.com/bibliography.htm
1992 ‘Difference and Identity: Reflections on the work of Trinh T. Minh-ha and L. Budd/Merylyn Tweedie/et al’. The Olive Pink Society Bulletin, 4:2, pp.19-28.
2016 Curator, Living statue performance (Lizzy Robinson) and art tour walk, linked to the launch of the City Art Map Geraldton, 2-3 September, https://deborahcain12.wordpress.com/2016/09/10/city-art-map-geraldton/
2016 Producer, City Art Map Geraldton, an art project supported by City of Greater Geraldton Community Grant Funding. https://www.cgg.wa.gov.au/live/my-community/arts-and-culture.aspx
2015 Curator, ‘Nature Studied: Trees, Plants, Gardens’. 4-25 September, Geraldton Regional Art Gallery, Geraldton, Western Australia. https://deborahcain12.wordpress.com/2016/10/21/nature-studied-trees-plants-gardens/
2015 What is public art? Sunset Salon, ACDC Community Arts Geraldton, Geraldton, Western Australia, 7 May
2015 Botanic Garden Wish Tree Events, Geraldton: Harmony Day, 21 March; Quaff Food & Wine Expo, 9 May; WA Day at the WA Museum, Geraldton, Western Australia, 1 June
2007 Invited Presentation. ‘A Fence Too Far? Guilt and distance in the film Rabbit Proof Fence’. 26 February, in Center for Australian and New Zealand Studies, School of Foreign Service, Georgetown University, Washington DC.
2007 Public Floor Talk, on the work of Tom Kreisler. ‘Tom Kreisler, 10 November – 15 December 2007 Exhibition’, Artspace, Auckland, New Zealand, 1 December.
2001 Public Floor Talk, on the work of Tom Kreisler. ‘Private and Confidential’ exhibition, The Gus Fisher Gallery, Auckland, New Zealand, 11 October.
2001 Panel discussant, ‘Private and Confidential: The Art of Tom Kreisler’. Displacement and Creativity Symposium, University of Auckland, Auckland, New Zealand, 4-5 Sept
2001 Curator, ‘European Painting: Simulation’. July – August, Ramp Gallery, The Waikato Polytechnic (now Wintec), Hamilton, New Zealand. Cited on http://michaellett.com/wp-content/uploads/2015/11/Julian-Dashper-CV.pdf
2001 Producer & Director, ‘Ko e Tala i 18 e Kala’, a video essay of John Pule’s suite of 18 drawings, Death of a God, in the exhibition ‘People Get Ready’, at Auckland Art Gallery, Auckland, New Zealand.